Jade Hills Clubhouse, Jade Hills , Kajang

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.

The design is a careful balance between tradition and modernity, where classical Chinese architectural principles are reinterpreted through a modernist lens. Inspired by the Siheyuan—a courtyard enclosed by buildings—the composition unfolds as a series of interconnected courtyards, each defined by its own pavilion. Movement through these spaces mirrors a journey through layered hierarchies, enriched by landscape elements intrinsic to Chinese design.

The free-flowing Miesian spatial order echoes the Chinese garden’s continuous flow and unfolding vistas. Here, architecture and landscape merge seamlessly—the pavilions act as both viewpoint and view, transforming the entire composition into a contemporary garden of spaces, a visual poem that reveals itself like a handscroll painting.